Yes, good TV does exist outside of Hollywood

I recently went to a panel discussion on Media and the Arab world which discussed the lack of positive Muslim role models in the Western media from TV news anchors to movie stars. Although the topic was Western media, they primarily focused on American media outlets as they believed that it is American TV shows, movies, and other forms of journalism that has the greatest influence on Western audiences. This may be the case, but I just want to briefly highlight a few non-American Western shows and movies that do star Muslim characters and/or focus on Muslim plotlines and are doing precisely what this panel would love to see from Hollywood.

1) Little Mosque on the Prairie. This Canadian TV show, now in its fourth season, follows a small Muslim community in the small town of Mercy, Saskatchewan. Its characters represent a plurality of religious, ethnic, and political voices and the writers demonstrate a real interest in presenting a more thoughtful, nuanced look at Muslim life in the West. Unfortunately, it's not available on Netflix, but you can watch all the episodes on YouTube.

2) Only Human, a screwball comedy set in Spain, tells the story of a Jewish woman who brings home her Palestinian boyfriend for Shabbat dinner. For all the madcap chaos that ensues, much of it not having to do with the Jewish/Palestinian premise, it also slyly manages to address stereotypes on both sides with a refreshing lack of melodrama or preachiness.

These are but two examples of media projects that are trying, through humor, to offer to bridge the seemingly insurmountable gap between the West and the Muslim world. I am excited by these works and enthusiastically say--keep them coming!

When nuance is not so nuanced

So I am currently working my way through The Heart of Islam, by Seyyed Hossein Nasr--a book I picked up at the recent Muslim Arts and Voices festival in New York City. The book's flyleaf promises a thoughtful and nuanced examination of cultural, political, and religious Islam as well as an acknowledgement and exploration of the religious beliefs and traditions that it shares with the other Abrahamic faiths, Christianity and Judaism. Given these laudable goals, I am disappointed that his discussion of these three faiths often results in his extolling the virtues of Islam above the others and dismissing facts which contradict his claims. For example, it is quite frustrating to read a sentence that states, "In the middle part of the Islamic world...[there are] still some Jews...although most of the Jews from Arab countries migrated to Israel after 1948." Factually, Nasr is correct in stating that most Jews living in Arab countries left during that time period (Andre Aciman in a recent New York Times op-ed placed that number at 800,000), but it is also misleading to make such a statement without any sort of context. There is no mention of the anti-Semitic rhetoric, policies, and violence that forced Jews to leave en masse. If Nasr wishes to extol the relative peace of minorities in Muslim lands, it is equally important to recognize when this is not the case.

Similarly, when Nasr discusses Christian missionary work in the Muslim world, he is equally one-sided. He is highly critical (appropriately I believe) of missionary efforts to convert Muslims and charges Christian groups with using material aid (food, medicine, etc...) as temptation. He does not however, or at least not yet, talk about how these same tactics are used within the Muslim world, especially among more radical groups (i.e. Hamas in the Gaza Strip, Muslim Brotherhood in Egypt, etc...) to win converts. Perhaps these situations are not exactly comparable, but when Nasr so strongly condemns Western consumerist culture, and does not acknowledge that these same activities (with similar aims--conversion) occur within the Muslim world, between Muslims, it demonstrates a double standard which directly contradicts his stated aim of a nuanced discussion.

In spite of, or perhaps because of, these points of contention, this book is certainly food for thought. If I do finish it, I hope that by the end I will have gained a somewhat deeper understanding of religious Islam...if nothing else.

Victimhood revisited

In following the media coverage of the recent shooting at the Holocaust Museum, there has been a lot of focus on the psychology of the shooter and of white supremacist groups in general, but there has been no exploration (at least that I've seen) of the psychology of the Jewish response. The insistence on Jewish victimhood at the expense of other hate crime victims, the fear of a rise in anti-Semitism (despite polls that show otherwise), etc... that proliferated in op-eds and articles written by Jewish authors, in the Washington Post and other publications, presented a response that I found to be particularly narrow and frustrating. I wrote a Letter to the Editor (see below) that pretty much sums up my thoughts:


"From Professor Jonathan Sarna wondering if this latest attack signals an “open season on Jews” to Rabbi David Saperstein insisting on “the quintessential victimhood” of Jews in the Western world, this rhetoric of victimization only serves to breed fear and heighten tension. To pay mere lip service to other violent acts of discrimination recently suffered by other minority groups in the US, as both these men did, while emphasizing the anti-Semitic incidents is to deny the universality of racist and xenophobic hatred that James von Brunn, and others, embodies. The deadly attack at the Holocaust Museum serves as yet another reminder that there are those who wish to wreak havoc on our society, but in order to confront this threat, we must acknowledge this and fight against the danger that these views pose for all Americans, not just Jewish Americans. "

Oy! American Girl Goes Jewish

Well, the papers are all abuzz with the new addition to the American Girl family: Rebecca, a young Jewish girl who lives with her Russian immigrant family on the Lower East Side in the 1910s.

I was a little too old for the books (and dolls) when they first came out and always thought the stories were a bit too fluffy (I was more of an All-of-a-Kind Family girl myself). But hey,

if a blond Christian girl in North Dakota enjoys pretending she is living in a tenement on the Lower East Side in 1914...

who am I to complain?

Muslim Voices, Arts & Ideas

There is a fascinating festival going on right now in New York called Muslim Voices, Arts & Ideas that aims to use culture (books, film, visual arts) to break through the stereotypes that we (Americans and Muslims) have about each other. As part of this festival, the New York Public Library (NYPL) hosted a panel discussion entitled New Eyes on the Arab World: Breaking Down Barriers of Fear and Prejudice with Muslim and American writers and translators this past Saturday evening.

One of the most interesting things I learned was that there are a large number of young Arab writers who are interested in getting published in the West. It wasn’t completely clear as to why this is (do they want to reach a larger audience, is there more money to be made by selling in the West, do they want to de-exoticise the Arab world, or perhaps all three), but Paul Theroux, one of the panelists and a well-known Arabic-English translator, was encouraged by this wave and half-jokingly suggested that these young authors should be in touch with him as he is always looking for new books to work on!

Raja Alem, the only female writer on the panel, also seemed encouraged by these younger writers even if many of them may be able to sell more books than she, especially if they write books in the “chick lit” style of the Girls of Riyadh. She seemed particularly excited by the the web, in all its permutations, and sees the internet as a real opportunity for young Arab writers to be free from geographical borders and allows their work to be accessed immediately anywhere and by anybody.

Of course I always think of questions once the event is already over, but it occurred to me afterwards that no one really addressed the numerous books by Iranian authors that have already reached a wide audience in the West. I’m thinking of: Reading Lolita in Tehran, Persepolis, Lipstick Jihad, etc. Have their works helped to “break down barriers” and introduce a more nuanced Iran to Western audiences? What about hyphenated authors (i.e. Syrian-Americans, French-Algerians, etc…)? How do their experiences of living in multiple cultures influence their work and bridge the gap between the Arab world and the West?

The festival ends June 14. Go check it out!

Have you heard of Irena Sendler?

I know I'm a little behind the curve here but did any of you see the film, The Courageous Heart of Irena Sendler on the Hallmark Channel? I Tivoed it when it aired but, faced with the prospect of seeing another melodramatic Holocaust movie (complete with clichéd Nazi brutality and weeping Jewish victims), I let it fall down in my queue.

Well, I came across it last week and ended up watching it. For all its shortcomings (curiously enthusiastic Catholic families eagerly welcoming Jewish children into their homes and their families, minimal addressing of Polish anti-Semitism, etc...), the story itself made compelling TV. Irena Sendler, a Catholic social worker in Warsaw, became so incensed at the treatment of Jews inside the Warsaw ghetto that she conspired with a small group of trusted colleagues to smuggle children out of the ghetto. In the end, she managed to save over 2,500 Jewish children (the famous Oskar Schindler, for example, saved 1,100).

Yet the most fascinating part of the story is what was not explored on screen. In typical made-for-TV fashion, the movie ends when Sendler is reunited with her lover and we are left to assume that they lived happily ever after in post-war Poland. However, while perusing Hallmark Channel’s website after the movie, I realized how wrong that was. In reality, she lived in obscurity following the war, was labeled a fascist by the Communist regime and—even after 1989--chose not to discuss her role in saving these children because of lingering anti-Semitism in Poland. Instead, it fell to a group of high school students in Kansas to uncover her story and bring it to light.

Addressing the psychological aftershocks of total war is a far messier business than the typical good vs. evil narrative so often marketed to the Hallmark audience. But if the directors chose to expand the arc of the movie to encompass the postwar life of their heroine, it would have provided an additional, richer, dimension to the story and placed Sendler’s extraordinary actions into even greater relief. That would have been a movie I would have watched right away.

Being Jewish in France Part I

Tonight I'm checking out a new movie, Being Jewish in France at the Walter Reade Cinemas. I'm really hoping that it proves to be more nuanced than the typical "France was, is, and always will be an anti-Semitic country" movie. But considering that Neil Genzlinger's review in The New York Times suggests that the director's [Yves Jeuland] "aim is to draw a through-line from the Dreyfus affair at the turn of the last century...to recent anti-Semitism," I have a sneaking suspicion that Jeuland decided to eschew complexity in favor of a more "traditional" story line.



I'll keep you posted.